Postcolonial imaginations and moral representations in african literature and culture eze chielozona. Postcolonial Imaginations and Moral Representations in African Literature and Culture 2019-03-10

Postcolonial imaginations and moral representations in african literature and culture eze chielozona Rating: 5,7/10 348 reviews

Postcolonial Imaginations and Moral Representations in African Literature and Culture, Chielozona Eze

postcolonial imaginations and moral representations in african literature and culture eze chielozona

. Postcolonial Imagination provides a deft and lucid interrogation of an eclectic corpus of historical and contemporary texts, buttressing this analysis with an edifying rereading of familiar African classics from Achebe to Soyinka to Fanon. This book celebrates the emergence of new interpretive paradigms such as in African philosophy, gender studies and literature. Eze takes issue with the delusion of Africa's racial innocence, a notion that has permeated world culture and literature and is largely due to Africa's violent encounters with Western powers. The strength of his effort rests on two audaciously provocative interventions. Quite on the contrary, it allows especially African political leaders to luxuriate in the delusions of moral rectitude, imploring, at will, the evil of imperialism as a buffer to their disregard of their people.

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Postcolonial Imaginations and Moral Representations in African Literature and Culture, Chielozona Eze

postcolonial imaginations and moral representations in african literature and culture eze chielozona

Eze then posits a powerfully novel paradigm that moves African cultural discourses away from the politics and poetics of external culpability and blame and redirects them inward to scrutinize the possibilities and constraints of the African mind. By summoning a vast repertoire of philosophical interpretation to complement his rich critique, Eze is able to craft a compelling argument for why any new projects of African cultural and political renaissance require a radical self-reflexivity that is missing from the existing African cultural, literary, and critical canons. In what ways does the average African leader, indeed, the average African, judge and respond to his world? Wide ranging in content as it explores Africa's multilayered realities, this significant study helps to shift the debate on Africa in the direction in which we need to move. To the degree that it is a response, it is to considerably reactive, and lacks forceful moral incentives for social critical consciousness and nation-building. Ochonu, associate professor, Vanderbilt University With Postcolonial Imagination and Moral Representations in African Literature and Culture, Chielozona Eze makes an important and timely contribution to the urgent project of rethinking Africa. Readers with no knowledge of African literature, history, authors, and critics will find the book difficult to follow and understand.

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Postcolonial Imagination and Moral Representations in African Literature and ...

postcolonial imaginations and moral representations in african literature and culture eze chielozona

Reviews Eze Northeastern Illinois Univ. Postcolonial Imagination provides a deft and lucid interrogation of an eclectic corpus of historical and contemporary texts, buttressing this analysis with an edifying rereading of familiar African classics from Achebe to Soyinka to Fanon. Ochonu, associate professor, Vanderbilt University With Postcolonial Imagination and Moral Representations in African Literature and Culture, Chielozona Eze makes an important and timely contribution to the urgent project of rethinking Africa. In what ways does the average African leader, indeed, the average African, judge and respond to his world? It discusses select African works of fiction as a paradigm for new interpretations of African experiences. Anyone who sees this book as apologia for western knowledge systems and values, or simply as rejection of the Africanist thought, totally misunderstands it. This search has its own moral implication in the sense that it makes the taking of responsibility on individual and social level highly difficult.

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Postcolonial Imaginations and Moral Representations in African Literature and Culture

postcolonial imaginations and moral representations in african literature and culture eze chielozona

He asserts that there is a guilt-driven discourse in Africa and about Africa and seeks to challenge that. Postcolonial Imagination provides a deft and lucid interrogation of an eclectic corpus of historical and contemporary texts, buttressing this analysis with an edifying rereading of familiar African classics from Achebe to Soyinka to Fanon. American Philosophical Association Newsletters, Fall 2008 Volume 08, Number 1. Postcolonial Imagination is, unabashedly, an indictment of reactionary postcolonial and nationalist ideas; a brilliant argument for the reinvention of African humanism for the twenty-first century and beyond. The strength of his effort rests on two audaciously provocative interventions. In chapter 1, Eze discusses the works of significant African writers and critics-Chinua Achebe, Moses Ebe Ochonu. How does he conceive of his responsibility towards his community and society? The book's rigorous analysis exposes the pitfalls of African cultural and literary discourses that thrive on the trope of victimhood and on the notion that morality and nobility are conferred by a history of foreign injury and oppression.

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Chielozona Eze, Postcolonial Imaginations and Moral Representations in African Literature and Culture

postcolonial imaginations and moral representations in african literature and culture eze chielozona

Broken Lives and Other Stories. New York: Edwin Mellen Press, 2005. The text is divided into eight chapters. Eze takes issue with the delusion of Africa's racial innocence, a notion that has permeated world culture and literature and is largely due to Africa's violent encounters with Western powers. Rochester, New York: The University of Rochester Press, 2018 88. Readers with no knowledge of African literature, history, authors, and critics will find the book difficult to follow and understand.

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Chielozona Eze, Postcolonial Imaginations and Moral Representations in African Literature and Culture

postcolonial imaginations and moral representations in african literature and culture eze chielozona

Postcolonial Imagination is, unabashedly, an indictment of reactionary postcolonial and nationalist ideas; a brilliant argument for the reinvention of African humanism for the twenty-first century and beyond. Abandoning the damaging tropes of victimhood and difference, the epistemologies of grievance and guilt and the reactionary stance of oppositionality, Eze joins key thinkers such as Kwame Anthony Appiah, Simon Gikandi and Achille Mbembe in advancing new ways of approaching Africa that depart from both imperial and nativist imaginaries of it as either 'dark' or 'wounded' continent. The E-mail message field is required. Relying on the insights of thinkers such as Frantz Fanon, Wole Soyinka, Kwame Anthony Appiah, Achille Mbembe and Wolgang Welsch, this book suggests new approach to interpreting African experiences. This book celebrates the emergence of new interpretive paradigms such as in African philosophy, gender studies and literature. The text is divided into eight chapters. It discusses select African works of fiction as a paradigm for new interpretations of African experiences.

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connect2na.com: Postcolonial Imaginations and Moral Representations in African Literature and Culture (9780739145067): Chielozona Eze: Books

postcolonial imaginations and moral representations in african literature and culture eze chielozona

Favouring interdependence over independence, transculturation over authenticity, contamination over purity and responsibility over innocence, Eze engages African worldliness, solicits expansive solidarities, embraces dissonance and calls for the cultivation of empathy and unsentimental love of the African space and person. Vol 21: Re-Inventing the Postcolonial in the Metropolis. The book's rigorous analysis exposes the pitfalls of African cultural and literary discourses that thrive on the trope of victimhood and on the notion that morality and nobility are conferred by a history of foreign injury and oppression. This search has its own moral implication in the sense that it makes the taking of responsibility on individual and social level highly difficult. This book acknowledges the social and psychological devastations of colonialism on the African world.

Next

Postcolonial Imaginations and Moral Representations in African Literature and Culture, Chielozona Eze

postcolonial imaginations and moral representations in african literature and culture eze chielozona

Eze then posits a powerfully novel paradigm that moves African cultural discourses away from the politics and poetics of external culpability and blame and redirects them inward to scrutinize the possibilities and constraints of the African mind. This search has its own moral implication in the sense that it makes the taking of responsibility on individual and social level highly difficult. New York: Palgrave Macmillan, 2016 82. Race, Decolonization and Global Citizenship in South Africa. Eze takes issue with the delusion of Africa's racial innocence, a notion that has permeated world culture and literature and is largely due to Africa's violent encounters with Western powers.

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Postcolonial Imaginations and Moral Representations in African Literature and Culture by Chielozona Eze · OverDrive (Rakuten OverDrive): eBooks, audiobooks and videos for libraries

postcolonial imaginations and moral representations in african literature and culture eze chielozona

It discusses select African works of fiction as a paradigm for new interpretations of African experiences. Volume 2, Number 1, Spring 2012 : 122-135. This book acknowledges the social and psychological devastations of colonialism on the African world. The book's rigorous analysis exposes the pitfalls of African cultural and literary discourses that thrive on the trope of victimhood and on the notion that morality and nobility are conferred by a history of foreign injury and oppression. To the degree that it is a response, it is to considerably reactive, and lacks forceful moral incentives for social critical consciousness and nation-building. It discusses select African works of fiction as a paradigm for new interpretations of African experiences. By summoning a vast repertoire of philosophical interpretation to complement his rich critique, Eze is able to craft a compelling argument for why any new projects of African cultural and political renaissance require a radical self-reflexivity that is missing from the existing African cultural, literary, and critical canons.

Next

Postcolonial Imaginations and Moral Representations in African Literature and Culture, Chielozona Eze

postcolonial imaginations and moral representations in african literature and culture eze chielozona

In subsequent chapters he considers, among other things, the ideas of Edward Wilmot Blyden as a pioneer of pan-Negro thinkers in the West and challenges many of Blyden's ideas, theories, and conclusions ; the importance and monumental influence of Achebe's Things Fall Apart; and the role of the new African writers in regenerating the African mind. He asserts that there is a guilt-driven discourse in Africa and about Africa and seeks to challenge that. The most obvious impact of African response to colonialism is the implicit search for a pristine, innocent paradigm in, for instance, literary, philosophical, social, political and gender studies. It, however, argues that the totality of African intellectual response to colonialism and Western imperialism is equally, if not more, damaging to the African world. Abandoning the damaging tropes of victimhood and difference, the epistemologies of grievance and guilt and the reactionary stance of oppositionality, Eze joins key thinkers such as Kwame Anthony Appiah, Simon Gikandi and Achille Mbembe in advancing new ways of approaching Africa that depart from both imperial and nativist imaginaries of it as either 'dark' or 'wounded' continent.

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